Linear AResearch by Enrica PatriaSearch

tablet · side A

HT117a

Clay tablet · Haghia Triada, Crete · Late Minoan IB · side A · approx. 6.7 × 10.9 × 0.8 cm · GORILA I (1976)

ObservedA clay tablet carrying sign-groups and numerals in two sections, separated by a ruled line.

ProposedIn Enrica Patria’s reading: section I: religious festival; section II: list of contributors.

An interpretation — not a description of the object.

Object
Clay tablet · HT117
Findspot
Haghia Triada, Crete
Period
Late Minoan IB
Side
A
Scribe
HT Scribe 9
Dimensions
approx. 6.7 × 10.9 × 0.8 cm
Edition
GORILA I, Godart & Olivier, 1976
Signs
61, according to the digital corpus
The object

The photograph shows the object. The tracing is a scholarly representation of it.

Photograph of side a of the clay tablet HT 117 from Haghia Triada.
Photograph
Tracing of side a of HT 117 (HT117a): its signs, the ruled line and the outline of the tablet.
Tracing
Photograph
Source: Palaima, “Archaeology and Text: Decipherment, Translation, and Interpretation”, in Theory and Practice in Mediterranean Archaeology: Old World and New World Perspectives (2003), Figure 3.8
Caption as printed: Linear A tablet HT 117 from Hagia Triada in south central Crete.
Credit as printed: Courtesy of the Program in Aegean Scripts and Prehistory Archives, University of Texas at Austin.
Notice in the publication (covers the publication): Copyright © 2003 Regents of the University of California. All rights reserved.
Changes: Aligned with the tracing and cropped to the outline of the tablet (transparent outside it) for this comparison; not otherwise modified.
Licence: Reproduced with the permission of PASP (Program in Aegean Scripts and Prehistory), University of Texas at Austin
Tracing
Source: SigLA: The Signs of Linear A (Salgarella and Castellan)
Made by: Ester Salgarella, Simon Castellan
Credit as printed: Tracing of HT 117a. Sign drawings from SigLA: The Signs of Linear A, a palaeographical database, by Ester Salgarella and Simon Castellan (https://sigla.phis.me/), licensed under CC BY-NC-SA 4.0.
Changes: Registered by hand to the frame of the photograph (same canvas, alignment and object position) for this comparison.
Retrieved from: lineara.eu, HT 117a (documents/HT-117a)
Licence: CC BY-NC-SA 4.0

approx. 6.7 × 10.9 × 0.8 cm · Indicative frame: proportions, orientation and the position of any ruled line wait for the facsimile.

Analytic sign sequenceUnicode · not a facsimile

1
1
1
1
1
1
1
1
1
1
10

1
1
1
1
1

Dashed box: uncertain or unidentified sign, or a ligature without a Unicode form. Plain box with a code: identified sign with no verified code point.

01 · Clay

Begin with the object.

A clay tablet. Two sections, separated by a ruled line.

Object
Clay tablet · HT117
Side
A
Findspot
Haghia Triada, Crete
Period
Late Minoan IB
Signs
61, according to the digital corpus

Observed On this dark ground: only the object and its edition.

02 · Signs

What do we see?

Section I, entry I.1, enlarged: 10 signs. Shown in Unicode glyphs for analysis — compare them with the facsimile.

I.1
··

3 sign-groups, as grouped in the conventional transcription.

Add, one at a time
The object — on the clay The reading — added by scholars

03 · Words · Read

Give the signs a sound.

The conventional transcription gives each sign a sound value, largely by correspondence with Linear B, and keeps the grouping of the edition. It suggests how the line may have sounded — not what it means.

Conventionallineara.eu

ma-ka-ri-te·ki-ro·u-mi-na-si

04 · Words · Interpret Enrica Patria segments · reads

Where does one unit end and the next begin?

The conventional grouping stays where it is. The proposal below adds its own divisions, marked with a blue bar.

Conventional

ma-ka-ri-te·ki-ro·u-mi-na-si

Enrica Patria segmentationa modern division

|··

Disputed.Patria writes the heading “MA ka-ri-te . ki-ro . u-mi-na-si” (Reading p.16; Divinità p.3). No divider separates MA from ka-ri-te in the conventional transcription. Elsewhere (Reading p.3) she cites the group as ma-ka-ri-te (HT87,1-2 and 117a,1) while discussing the notched sign read ri.

UnitConventionalEnrica Patria reading
ma (inside ma-ka-ri-te)logogrammáter
ka-ri-te (inside ma-ka-ri-te)khárites
ki-rokhḗroi
u-mi-na-siúmnēsis

05 · Meaning in Enrica Patria’s reading

Only now does meaning enter — as a proposal.

MA“Mother”máter
ka-ri-te“thanksgivings”khárites
ki-ro“indebted (debtors)”khḗroi
u-mi-na-si“hymn of praise / song of praise”úmnēsis
Proposed translation“Thanks to MA, song of praise; all are indebted of one offering each”Enrica Patria’s reading. Patria's translation continues into the list of names (Reading pp.16–17). Italian version: “ringraziamenti a MA, inno di preghiera, debitori” (Divinità p.3).

06 · Explore freely

The whole tablet

Each row keeps things apart: the conventional sign-group, how Enrica Patria segments it, how she reads it, and its status. Select any sign or row.

The object

The photograph shows the object. The tracing is a scholarly representation of it.

Photograph of side a of the clay tablet HT 117 from Haghia Triada.
Photograph
Tracing of side a of HT 117 (HT117a): its signs, the ruled line and the outline of the tablet.
Tracing
Photograph
Source: Palaima, “Archaeology and Text: Decipherment, Translation, and Interpretation”, in Theory and Practice in Mediterranean Archaeology: Old World and New World Perspectives (2003), Figure 3.8
Caption as printed: Linear A tablet HT 117 from Hagia Triada in south central Crete.
Credit as printed: Courtesy of the Program in Aegean Scripts and Prehistory Archives, University of Texas at Austin.
Notice in the publication (covers the publication): Copyright © 2003 Regents of the University of California. All rights reserved.
Changes: Aligned with the tracing and cropped to the outline of the tablet (transparent outside it) for this comparison; not otherwise modified.
Licence: Reproduced with the permission of PASP (Program in Aegean Scripts and Prehistory), University of Texas at Austin
Tracing
Source: SigLA: The Signs of Linear A (Salgarella and Castellan)
Made by: Ester Salgarella, Simon Castellan
Credit as printed: Tracing of HT 117a. Sign drawings from SigLA: The Signs of Linear A, a palaeographical database, by Ester Salgarella and Simon Castellan (https://sigla.phis.me/), licensed under CC BY-NC-SA 4.0.
Changes: Registered by hand to the frame of the photograph (same canvas, alignment and object position) for this comparison.
Retrieved from: lineara.eu, HT 117a (documents/HT-117a)
Licence: CC BY-NC-SA 4.0

approx. 6.7 × 10.9 × 0.8 cm · Indicative frame: proportions, orientation and the position of any ruled line wait for the facsimile.

Analytic sign sequenceUnicode · not a facsimile

1
1
1
1
1
1
1
1
1
1
10

1
1
1
1
1

Dashed box: uncertain or unidentified sign, or a ligature without a Unicode form. Plain box with a code: identified sign with no verified code point.

SignsConventional transcriptionEnrica Patria segmentation · readingDisputed / uncertain
EntryConventionalSegm.ReadingStatusNum
Section I in Enrica Patria’s reading: religious festival
I.1 MA | ka-ri-te máter + kháritesDisputed
I.1 = conventionalkhḗroiProposed
I.1 = conventionalúmnēsisProposed
I.2 = conventionalÍsosProposed 1
I.3 = conventionalMítusProposed 1
I.4 = conventionalkálamosProposed 1
I.5 = conventionalMárōnProposed 1
I.6 = conventionalKábarnosProposed 1
I.7 = conventionalThṓumasProposed 1
I.8 = conventionalÍdmēProposed 1
I.9 mi-ru-ta | RA | RE merítai + Rã + REProposed 1
I.10 corpus layers differte-ja | RE Theía + REProposed 1
I.11 Na-da | RE Náda + REProposed 1
I.12 = conventionalkŷrosProposed 10
Total check: 1 + 1 + 1 + 1 + 1 + 1 + 1 + 1 + 1 + 1 = 10; ku-ro 10 — balances (lineara.eu)
Section II in Enrica Patria’s reading: list of contributors
II.1 = conventionalsáton (n. pl.)Proposed
II.2 —[reading — to enter] 1
II.3 Ko-sa-no | TI Kursános / Kósanos + TIProposed 1
II.4 DA | minu Dã + smḗnosProposed 1
II.5 da-jo-ku | TI Dēíochos + TIDisputed 1
II.6 —[reading — to enter] 1

Entries in this site’s order; edition line numbers still to be aligned. A row with “—” has no alternative recorded; “[reading — to enter]” marks a reading not yet entered.

A pattern in Enrica Patria’s reading

Hybrid words

Linguistic units that combine logographic and phonetic signs.

On HT117a: 4 sign-groups. The conventional group is always shown first.

Conventionalmi-ru-ta-ra-re
unitmi-ru-ta
phonetic partRA
logogramRE
Proposed readingRE of Rã (Réa, a goddess), included among them
Conventionalte-*56-re
phonetic partte-ja
logogramRE
Proposed readingRE of Theía, a goddess
Conventionalna-da-re
phonetic partNa-da
logogramRE
Proposed readingRE of Náda, a nymph
Conventionalda-mi-nu
unitDA
phonetic partminu
Proposed readingDA beehive

07 · Why? · the argument, step by step

Why does Enrica Patria separate MA?

  1. Observed01Observation

    AB80 opens the conventional sign-group ma-ka-ri-te.

    ma-ka-ri-teentry I.1
  2. Conventional02Edition

    No divider separates MA from ka-ri-te in the conventional transcription.

  3. Proposed03Patria segmentation

    MA ka-ri-te . ki-ro . u-mi-na-si — MA is written as a unit of its own.

    Patria, Reading Linear A before translating it, p. 16 (HT117a heading)Patria, Divinità minoiche, p. 3 (HT117a heading)
  4. Proposed04Patria reading

    MA is the logogram of máter, an epithet of the Great Mother; ka-ri-te is khárites: “thanks to MA”.

    Patria, Reading Linear A before translating it, p. 12 (HT117a,1)Patria, Reading Linear A before translating it, p. 16 (HT117a heading)Patria, Linear A between sound and meaning, p. 10 (HT117a)
  5. Proposed05Support

    Other attestations Patria cites for MA as a logogram: AMA, “royal (A) mother”, on MA1b; MARE, “RE of MA”, on HT55a,1; MA at the head of HT87.

    Patria, Reading Linear A before translating it, p. 12 (MA1b)Patria, Linear A between sound and meaning, p. 10 (MA1b)Patria, Reading Linear A before translating it, p. 13 (HT55a,1)Patria, Linear A between sound and meaning, p. 13 (HT55a,1)Patria, Divinità minoiche, p. 3 (HT87, MA1b)
  6. Conventional06Conventional reading

    ma, first syllable of ma-ka-ri-te.

  7. Disputed07Status
    Enrica Patria proposesDisputed

    Proposed segmentation; it depends on accepting logograms inside conventional sign-groups.

  8. 08Sources

    Enrica Patria

    Patria, Reading Linear A before translating it — p. 16 (HT117a heading); p. 16 (HT117a heading); p. 12 (HT117a,1); p. 16 (HT117a heading); p. 12 (MA1b); p. 13 (HT55a,1)Patria, Divinità minoiche, 2024 — p. 3 (HT117a heading); p. 3 (HT117a heading); p. 3 (HT87, MA1b)

    Enrica Patria Pugliese

    Patria, Linear A between sound and meaning, 2025 — p. 10 (HT117a heading); p. 10 (HT117a); p. 10 (MA1b); p. 13 (HT55a,1)

08 · Network

Follow this tablet

Related records, from the claims on this page — not a chain of cause and effect.

TabletHT117a
  • documented relation
  • exists only in Enrica Patria's reading

Cite this tablet

HT117a, side A. Haghia Triada, Late Minoan IB. HT Scribe 9. Edition: GORILA I (Godart & Olivier, 1976). Object record v[—]. [permanent URL]

Cite this reading

Patria, E. “HT117a: a reading.” Reading v1, [year]. In Linear A — Research by Enrica Patria. [permanent URL]

Primary edition

GORILA I, Louis Godart & Jean-Pierre Olivier, 1976

Digital corpus

SigLA: The Signs of Linear A (Salgarella and Castellan)lineara.eulineara.xyz (Robert Hogan)

Thomas G. Palaima

Palaima, “Archaeology and Text: Decipherment, Translation, and Interpretation”, in Theory and Practice in Mediterranean Archaeology: Old World and New World Perspectives (2003), 2003

Enrica Patria

Patria, Reading Linear A before translating itPatria, Divinità minoiche, 2024

Enrica Patria Pugliese

Patria, Linear A between sound and meaning, 2025

Convention

Standard convention; a citable reference is still to be chosen.

Information still to be completed

Shown as visible placeholders, never filled in silently.

  1. SigLA readings, numerals, scribe and sign count are taken through lineara.eu (record built 2026-09-28); the SigLA document page itself has not been consulted.
  2. Facsimile and photograph: GORILA I page, photograph, rights and credit line; hotspot coordinates; exact position of the ruled line; orientation of 6.7 × 10.9 cm.
  3. Line numbering: entries are a sequence (I.1–I.12, II.1–II.6) in the line order of lineara.eu / SigLA (lines 1–18). Patria cites lines in her own numbering (Raison-Pope, with GORILA added): heading .1–2, tu-ju-ma .3–4, Na-daRE and te-jaRE .5, Ko-sa-no .7, DAminu and da-jo-ku .8 (–9). GORILA line numbers still to be aligned.
  4. te-*56-re: the SigLA word list (AB56, *56) and the lineara.xyz glyph string (AB57, ja) disagree at sign 2, as lineara.eu reports; recorded as an unresolved corpus conflict. The edition's reading is still to be checked.
  5. Patria's identifications not found in the three publications: ku-ku-da-ra (II.2) and ki-da-ro (II.6).
  6. Spelling variants within Patria's publications, recorded in claim notes: Náda / Néda, Theía / Theás / Teía, Kursános / Kósanos, Kábarnos / Kábarnoi, khḗroi / khẽroi.
  7. References: GORILA page for HT93a,6 and page numbers in GORILA I. Patria's three publications are cited from their own PDF pagination; venue and year are not stated in them.
  8. Conventional views from the bibliography still to be entered for ki-ro, u-mi-na-si, sa-ta, TI, AB34 and the personal names.
  9. Glyph rendering still to be checked against Noto Sans Linear A (code points are verified against the Unicode Character Database).
  10. Corpus counts: occurrences of MA, RE, TI, AB24 and AB34 across the corpus.