Linear AResearch by Enrica PatriaSearch

The hypothesis

Enrica Patria proposes that the language written in Linear A is Greek, with Doric features.

Enrica Patria proposesSummary of her wording: Patria, Reading Linear A before translating it, p. 19Patria, Linear A between sound and meaning, p. 18

This page presents her hypothesis, in her words and with her pages: a research proposal, open to discussion — not an accepted decipherment.

The project does not yet hold the sources needed to represent the state of scholarly opinion or opposing views. What this page cannot show yet

The claim

What Enrica Patria proposes

The site’s summary

Enrica Patria proposes that the language written in Linear A is Greek, with Doric features. Her own wording varies in strength — from “a structural affinity” with “an archaic variety of Greek, plausibly connected to a protodoric area” to “the language is Greek”. The site quotes each formulation and does not merge them into one.

In her words

  1. Linear A between sound and meaning · Abstract

    “an interpretative framework—one I have long supported—according to which Linear A constitutes the medium of expression of a language that can be traced back to a protogreek idiom with evident Doric inflections.”

    Enrica Patria · Patria, Linear A between sound and meaning, p. 1
  2. Linear A between sound and meaning · Introduction

    “the analysis of the data supports the view of a structural affinity between the language underlying Linear A and an archaic variety of Greek, plausibly connected to a protodoric area”

    Enrica Patria · Patria, Linear A between sound and meaning, p. 1
  3. Linear A between sound and meaning · Conclusion

    “Upon closer examination, the evidence points clearly in one direction: the language is Greek. […] Moreover, the variety of Greek in question is not generic, but distinctly marked by strong Doric features”

    Enrica Patria · Patria, Linear A between sound and meaning, p. 18
  4. Reading Linear A before translating it · The Language

    “Already from the analysis conducted so far, Greek clearly emerges as the language of Linear A.”

    Enrica Patria · Patria, Reading Linear A before translating it, p. 15
  5. Reading Linear A before translating it · Conclusions

    “The language of Linear A is Greek. […] It is a Greek with Dorian inflections that can be identified in a combination of morphological and nominal aspects.”

    Enrica Patria · Patria, Reading Linear A before translating it, p. 19
  6. The Ideophonetic System of Linear A · The Minoan language

    “The previous documents show that the Minoans spoke Greek.”

    Enrica Patria · Patria, The Ideophonetic System of Linear A, p. 21Patria, The Ideophonetic System of Linear A, p. I

    Her earliest wording quoted here: the essay was first published online in 2011 and republished in 2026, with, in her words, “Corrections […] limited to language and typographical errors”.

  7. The Ideophonetic System of Linear A · Introduction to the Republication

    “These proposals belong to the stage of my research documented here and should be assessed through the evidence and comparisons offered for each of them. In particular, my later work separates the structural analysis of the records from any linguistic identification, which is treated as a subsequent test.”

    Enrica Patria · Patria, The Ideophonetic System of Linear A, p. I

    Written in 2026 for the republication: how she places the essay’s Greek interpretations within her research.

Beyond language: her historical reading

She extends the hypothesis to the history of Crete. The site reports it as hers, apart from the linguistic claim.

  1. Reading Linear A before translating it · Conclusions

    “My hypothesis is that the first ancestors of the Dorians settled already very early in Crete.”

    Enrica Patria · Patria, Reading Linear A before translating it, p. 19
  2. Linear A between sound and meaning · Conclusion

    “In this light, the Minoans may be seen as proto-Dorians: Greek communities of Doric stock, rooted in Crete.”

    Enrica Patria · Patria, Linear A between sound and meaning, p. 18

Her evidence

How she gets there

The kinds of evidence she gives for the language, in her own terms.

  1. Proper names

    “This is demonstrated, first, by the proper names, which unambiguously attest to their Hellenic origin.”

    Enrica Patria · Patria, Linear A between sound and meaning, p. 18Patria, Reading Linear A before translating it, p. 15

    In Reading Linear A she lists names such as Da-jo-ku / De-ju-ku = Dēíochos and Ra-o-di-ki = Laodíkē.

  2. Phonetic structure and ligatures

    “It is further supported by the phonetic structure of the words—whether hybrid or otherwise—and even by the ligatures, whose logograms function as phonetic abbreviations of Greek terms.”

    Enrica Patria · Patria, Linear A between sound and meaning, p. 18
  3. Nouns and grammatical forms

    “Thus, Greek emerges from both nouns and various grammatical forms.”

    Enrica Patria · Patria, Reading Linear A before translating it, p. 17Patria, Reading Linear A before translating it, p. 18Patria, Reading Linear A before translating it, p. 19

    She cites verbal forms she reads as aorists — nḗēse, ethḗthē, édōka — and present participles.

  4. A lexicon found in classical vocabularies

    “the terms retrievable in Linear A are found in classical vocabularies, without the need to postulate a separate and unknown lexicon.”

    Enrica Patria · Patria, Linear A between sound and meaning, p. 18
  5. Readings of whole tablets

    “And the Greek also emerges from the reading of the tablets, which acquire a meaning that is homogeneous and also in line with what we would expect from documents referring to economic accounts.”

    Enrica Patria · Patria, Reading Linear A before translating it, p. 16

Her order of argument

From the writing system to the language

From the corpus

Examples she uses

Records on this site that she cites in the language argument. The conventional form comes first; her readings follow, each with its status and sources.

  1. A personal name she reads as Greek

    Conventional sign-group
    da-ne-ku-ti
    Enrica Patria · unit
    da-jo-ku
    Where
    HT117a · entry II.5
    1. Enrica Patria proposesDisputed

      personal nameDēíochos

      Depends on AB24 = jo. Δηίοχος is also attested in the Iliad (XV, 341) (Sound and meaning p.2).

      Patria, Reading Linear A before translating it, p. 4 (117a,8)Patria, Reading Linear A before translating it, p. 15 (HT117a,8)Patria, Linear A between sound and meaning, p. 2 (HT117a,8–9)
    2. Enrica Patria proposesDisputed

      variant ofde-ju-ku (HT93a,6)

      Congruent positions, a/e and o/u vocalic instability; AB24 alternates with AB65 (ju) (Sound and meaning p.2).

      Patria, Linear A between sound and meaning, p. 2 (HT93a,6 / HT117a,8–9)Patria, Reading Linear A before translating it, p. 4 (HT93a,6 / 117a,8)Patria, Reading Linear A before translating it, p. 15

    Used in the language argument: Patria, Reading Linear A before translating it, p. 15 (The Language)

  2. The divine name she reads as the Doric Dã

    Conventional sign-group
    da-mi-nu
    Enrica Patria · unit
    DA
    Where
    HT117a · entry II.4
    1. Enrica Patria proposes

      readingDã

      Patria, Reading Linear A before translating it, p. 17 (HT117a,8)Patria, Linear A between sound and meaning, p. 11
    2. Enrica Patria proposes

      identified asGreat Mother

      DA is the name of the Great Mother (Sound and meaning p.11); DA compounds name confraternities dedicated to her (Reading p.18; Sound and meaning p.14).

      Patria, Reading Linear A before translating it, p. 17Patria, Reading Linear A before translating it, p. 18Patria, Linear A between sound and meaning, p. 11Patria, Linear A between sound and meaning, p. 14

    Used in the language argument: Patria, Reading Linear A before translating it, p. 17 (The Language)

  3. An accounting term she reads as a Greek word

    Conventional sign-group
    ku-ro
    Where
    HT117a · entry I.12
    1. Enrica Patria proposes

      readingkŷros

      Patria, Divinità minoiche, p. 3 (HT117a, first list)Patria, Reading Linear A before translating it, p. 14Patria, Linear A between sound and meaning, p. 8
    2. Proposed translation

      meaningverified total

      On HT117a: “Tutti sono debitori di un'offerta per un totale ratificato (ku-ro = kῦros = ratifica, convalida) di dieci unità” (Divinità p.3).

      Patria, Reading Linear A before translating it, p. 14Patria, Linear A between sound and meaning, p. 8Patria, Divinità minoiche, p. 3 (HT117a, first list)

    Used in the language argument: Patria, Reading Linear A before translating it, p. 14

  4. A heading term she reads as a Greek word

    Conventional sign-group
    u-mi-na-si
    Where
    HT117a · entry I.1
    1. Enrica Patria proposes

      readingúmnēsis

      Patria, Reading Linear A before translating it, p. 16 (HT117a heading)Patria, Divinità minoiche, p. 3 (HT117a heading)Patria, Linear A between sound and meaning, p. 4 (HT117a,1–2)Patria, Linear A between sound and meaning, p. 10 (HT117a)
    2. Proposed translation

      meaninghymn of praise / song of praise

      “hymn of praise” (Sound and meaning p.10); “song of praise” (Reading p.16); “inno di preghiera” (Divinità p.3).

      Patria, Linear A between sound and meaning, p. 10 (HT117a)Patria, Reading Linear A before translating it, p. 16 (HT117a heading)Patria, Divinità minoiche, p. 3 (HT117a heading)

    Used in the language argument: Patria, Reading Linear A before translating it, p. 16 (The Language)

Her Doric features

What she calls Doric

Only the features and forms she names as Doric, as she names them — not a grammar of Doric.

  1. The vowel a

    “the predominance of the vowel a over other vocalic elements, a main trait very characteristic of Doric”

    Enrica Patria · Patria, Linear A between sound and meaning, p. 18Patria, Reading Linear A before translating it, p. 17

    Her examples include dά-mos for dḗmos, pά-ma for phḗmē, kúra for kúrē.

  2. Doric and Cretan terms

    “the recurrence of Cretan lexical items (see, for instance μνωίτης) which indicate a clear local grounding”

    Enrica Patria · Patria, Linear A between sound and meaning, p. 18Patria, Reading Linear A before translating it, p. 17

    In Reading Linear A she names as Doric terms khãtis, kírōn, mnoítes and pάstas, among others.

  3. Verbal adjectives in -tjon

    “the employment of verbal adjectives ending in -tjon, fully consistent with the morphological patterns of ancient Doric Greek.”

    Enrica Patria · Patria, Linear A between sound and meaning, p. 18Patria, Linear A between sound and meaning, p. 3

    On one of them, qa-tjo, she writes more cautiously: “it is difficult to resist the temptation to regard qa-tjo as the Doric form of the verbal adjective”.

  4. The divine name Dã

    “DA is a term that the classical vocabularies translate Dã, the name by which the Dorians called their mother goddess in ancient invocations. Mátēr is the Doric form of mḗtēr.”

    Enrica Patria · Patria, Reading Linear A before translating it, p. 17Patria, Linear A between sound and meaning, p. 11Patria, Divinità minoiche, p. 2

    In Sound and meaning she adds that this “strengthens the theory that the Minoans were proto-Doric”.

  5. A morphological variation

    “in addition to other morphological characteristics (see for example the variation s/th in thalía / salía)”

    Enrica Patria · Patria, Reading Linear A before translating it, p. 17

In her argument

Linear B

Only where she uses it in this argument. On her caution with Linear B values, see her method.

  1. Not read as Linear B

    “Persisting in reading Linear A as if it were Linear B has made it ‘illegible’ and consequently ‘indecipherable’.”

    Enrica Patria · Patria, Reading Linear A before translating it, p. 19
  2. Doric elements in Mycenaean

    “The Dorian elements that emerge in Linear A are not isolated; they also appear in Mycenaean, suggesting that the Dorian substratum was an integral part of Aegean civilisation.”

    Enrica Patria · Patria, Linear A between sound and meaning, p. 18

    Here she cites John Chadwick, “Who were the Dorians?” (La Parola del Passato, 1976) — a work cited by her, not a source of this site.

Her criteria, not the discipline’s

Within Enrica Patria’s method, the hypothesis is tested by…

  1. Congruence and reciprocity

    “If all congruencies and all reciprocities are respected, we can be certain that our deductions are correct.”

    Enrica Patria · Patria, Reading Linear A before translating it, p. 15
  2. Consistent rules of word formation

    “Only by reading the words correctly, only by consistently identifying the rules governing word formation, is it possible to identify the language and translate documents in a consistent and consequential way.”

    Enrica Patria · Patria, Reading Linear A before translating it, p. 19
  3. Comparison of editions

    “The analysis does not rely on a single critical edition but is grounded in a cross-comparison of the principal available editions”

    Enrica Patria · Patria, Linear A between sound and meaning, p. 2

Her method, principle by principle

Source gap

What this page cannot show yet

Absence from this site is not evidence of absence in the scholarship.

The project does not yet hold sources that would let it represent:

  • the state of scholarly opinion on the language of Linear A
  • the main alternative interpretations, in their authors’ own words
  • published criticism of Enrica Patria’s proposal
  • specific refutations or replies
  • the history of the study of Linear A

Until such sources are added, the page shows the hypothesis only as Enrica Patria sets it out. It does not set a “for” beside an “against”.

Other views, as she reports them

  1. As reported in Reading Linear A before translating it

    “Many have already said this but there is no consensus among them. The same goes for all those who see Luvian, or Semitic or other languages in Linear A.”

    Enrica Patria · Patria, Reading Linear A before translating it, p. 19

    In this passage “this” refers to her own conclusion, stated just before, that the language of Linear A is Greek.

  2. As reported in Linear A between sound and meaning

    “The writing system of Linear A has been the subject of numerous attempts at decipherment, most of which have historically relied on an analogical approach with Linear B, through the application of its phonetic values and the search for correspondences with known languages of the Near East and the Eastern Mediterranean, including Greek, Luwian, and various Anatolian as well as Semitic languages.”

    Enrica Patria · Patria, Linear A between sound and meaning, p. 1

Sources cited on this page

Enrica Patria

Patria, Reading Linear A before translating it — p. 19; p. 15; p. 17; p. 18; p. 16; p. 15 (The Language); p. 4 (117a,8); p. 15 (HT117a,8); p. 4 (HT93a,6 / 117a,8); p. 17 (The Language); p. 17 (HT117a,8); p. 14; p. 16 (The Language); p. 16 (HT117a heading)Patria, Divinità minoiche, 2024 — p. 2; p. 3 (HT117a, first list); p. 3 (HT117a heading)Patria, The Ideophonetic System of Linear A, 2011 — p. 21; p. I

Enrica Patria Pugliese

Patria, Linear A between sound and meaning, 2025 — p. 18; p. 1; p. 3; p. 11; p. 2; p. 2 (HT117a,8–9); p. 2 (HT93a,6 / HT117a,8–9); p. 14; p. 8; p. 4 (HT117a,1–2); p. 10 (HT117a)