HT117a
Read it layer by layer in the Experience, or every line and layer at once in the Scholar View.
- Object
- clay tablet · HT117, side A
- Findspot
- Haghia Triada, Crete
- Period
- Late Minoan IB
- Transcription
- Complete · 61 signs entered
- Scribe
- HT Scribe 9
A research project
This site presents Linear A documents layer by layer. What is on the object is kept apart from what a reading adds, and every proposal by Enrica Patria is marked as hers, with the sources it rests on.
Explore the catalogue Discover the method
On this site
The background — the history of the script, its relation to Linear B, the state of its decipherment — is not given here until it can be cited.
Linear A is the script written on the objects recorded here. Their records state:
From the object records of the 2 objects on this site.
The central principle
Layers, not pages. Every reading starts from the clay; each layer adds interpretation, and none replaces the one before it.
The object and its edition: facsimile and photograph.
Signs identified by number, in groups and entries.
Conventional sound values, largely by correspondence with Linear B.
Units as divided by Enrica Patria.
Values and functions proposed by Enrica Patria.
Proposed meanings — only now, and as a proposal.
Object and reading
Glyphs and sign numbers only. No values, no words, no meaning.
Plaster · the reading
Only now does meaning enter — as a proposal.
Read it layer by layer in the Experience, or every line and layer at once in the Scholar View.
The catalogue
The data collected on this site: every object, with how much of each side is entered, and the signs of the Linear A sign list.
How the research is organised
Objects, their sides and what each records, and the signs of Linear A, with links to every tablet and sign.
Every sign, sign-group, name, divinity and concept has its own page — reached from any tablet or from the inspector.
Every statement carries its source; open data issues are shown, never filled in silently.
The site’s editorial rules, and Enrica Patria’s method in her own words.
Enrica Patria’s linguistic hypothesis, in her words and with her pages.
Her papers, each with a permanent page: abstract, how to cite it and, where the rights allow it, the PDF.
The researcher
The readings marked with
What her publications document about her, and what is not documented yet
Research transparency
Every statement is marked by shape, typeface and colour together, so the distinction survives greyscale, colour-blindness, print and screen readers. Solid shapes are things you can check on the clay or in an edition. Diamonds are signed by Enrica Patria. Triangles warn.
What is on the clay, or recorded by the edition: signs and sign numbers.
The conventional transcription: shared sound values, largely by correspondence with Linear B.
A proposal by Enrica Patria: segmentation, reading or function. Always signed.
A proposed meaning — only ever as a proposal.
A warning: the reading is contested, or not settled.
The standard view, set beside a proposal and never mixed with it.
Each claim names the publication, page and passage it rests on.
What the site does not have yet is shown as an open issue — a gap, never a negative fact.